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May 312010
Gay Classics Mega MixVol 01

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Gay Classics Mega MixVol 02

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+ High-Energy goes Eurobeat Top 20

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May 312010

French ambient metallers, Abysse, floored us with their two song EP entitled Le vide est forme.Filled with huge swells of sound and complex musical arrangements, this disc made the Ripple office stop and take note. A few months back, we were able to spend a few moments with the band to find out more about how they create their wondrous sounds and to find out more about the music scene in France. 


Every musician is influenced by those who came before them, but what were your major musical epiphanies that inspired you to create music? What major musical moments helped define you as musicians?

Abysse is a “friend band”. We grew up together since we were 6 years old. Now, we are 20, time spent together has permitted us to discover huge bands as Opeth, Lamb of God, The Haunted but also to create our own music database, sometimes enjoying bands that the others totally dislike!

Defined as a beginner musician was an easy step “Hey Guys, it’s time to learn instruments and create a rock band” (Summer 2004). Easy as fuck, uh?

We needed barely 3 years to create what Abysse is now. Mastering instruments, developing, creating.. We recorded “Le vide est forme” in summer 2008, exactly 4 years after the killing question: “Hum, who wants to play guitar? You Vincent? So I’ll learn bass. What is a bass guys?” 

Entering in this professional recording studio was time to feel like a musician and say ‘Hey, I’m part of a rock band. Not the best, not the perfect one, but a cool rock band. That’s what we wanted guys, we’ve done it!’ A year after, we can say that it was a little step, and we are now in front of the wall.
Le vide est forme is only a two song, twenty minute long EP. What made you decide to issue this release as an EP and not go for a full length product?

 Our writing process is very long. When we recorded it, we didn’t have any add songs to record. It was the moment to end the garage band period. The concept “2 tracks – 20 minutes” was strong, original. We had a good feeling with our studio engineer (David Potvin from the band Lyzanxia (Listenable records) and One Way Mirror (Metal Blade). He understood what we wanted and made a very good job, giving soul to our universe. It was another step, give the audience our identity ‘ We are an ambient band, will never create radio hit’

From where we’re sitting, the French music scene appears to be a burgeoning entity of massive creativity. Being that you’re there, does it feel the same way?


 France is a particular country. Metal music is not considered as music for masses. Our top 5 is Rn’B, Electro, Pop, Rap and French variety. So there is no institute, no structure for metal bands. We have to find by ourselves the great bands who really kick ass in different styles. It’s not so easy for them (and us!) to be heard. Many talents stay anonymous while our French proud (Gojira, Hacride..) is getting bigger and bigger. We’ve got a few bands who cross borders, who are recognize in foreign country. Even if we’ve got great bands (take a listen to Watertank, Overmars, A Subtle Understatement), we find that the French scene is poor as well. Maybe because we’ve got many bands who are a ‘copy of a copy’. Dejà-vu as we say in France.

Is there a lot of camaraderie within the various bands of the French underground?

 Metalhead’s are very nice, sure it’s the case in the whole world. We’ve toured since late 2008, so we do not meet a lot of people, but it’s been a great pleasure to share with musicians, promoters (sometimes you find great assholes, but we forget them as fast as possible). We met superstar (Guillaume Bideau haha(singer from Mnemic, One Way Mirror, Scarve..!) and great unknown bands. When people are motivated, they are interesting!

What do you see as being the biggest obstacle in getting your music heard in some of the more major markets, such as the U.S.?


 US market is not untouchable. We don’t have any distributor for the moment . . . maybe because we didn’t search them. But it will be the next step for our first LP (recording session in a year maybe). For the moment, we will have to share with people like you, getting reviews and interviews, find radios… It’s a very hard work. We are actually working on many foreign magazines, but sometimes, they are not translated in English… Hard time!

Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?

We probably have the most weird way to write… We get together in our rehearse place and play, until finding the best riff/arrangement. We only work together, 4 musicians, 1 music… We are not able to write alone as many bands. If one of the members is not here (even the bass player!), we can’t write!
It starts with a guitar riff. Our drummer is the orchestra chief, he gives them sense, a soul, and the way he plays, our guitarist will accommodate for the next. Leads come naturally on and bass gives basement, leads by the drums. We need about 4 month to write a ten minute song… For our upcoming first long play, we decided to think about a concept, how we want to feel the songs, get a view of the art work. We’ve got a direction to create a coherent album.

What piece of your music are you particularly proud of?

 We love what we play, we give pleasure to ourselves. That’s how we feel music. We are happy to see people supporting us, loving personal music like ours. We are proud about one thing. Show to people that music sometimes doesn’t need vocals.

The business of music is a brutal place. Changes in technology have made it easier than ever for bands to get their music out, but harder than ever to make a living? What are your plans to move the band forward? How do you stay motivated in this brutal business?


 We can’t pretend to live with music. But we’ve got inside of us the energy to push the band as far away, away as we can. We spend a lot of time with promotion, management, and booking. When you want to go further, you have to think business. Play instrumental underground pieces and think money both is possible . . . haha. We consider us a self managed band. We do everything. We produce our own show in our region, so we played with great bands (Hacride, Kruger.) We create our own promotion/management/booking structure, working as me want. We are actually evoluate as booker, working on a west euro tour with good bands, including Abysse as opening act. We want to become a label soon to sign Abysse and re edit ‘Le vide est forme’. Work hard is the best way to get notoriety. When our next album will be recorded, we will need to find a bigger label, tour agency.

Describe to us the ideal (realistic) record label and how you’d work with them, and they with you.

 Ideal professional structure are the ones who give us musical liberty, let us work as we want, but giving us what you can’t get alone (International distribution, euro tour, maybe US Tour :) ) We stay unskilled in some domains, we need elders to get what we want, a label that works for you if you work for them. These two last questions give you a taste of how our business works.

Vinyl, CD, or digital? What’s your format of choice?

If you want Vinyl or CD, you need money. When we’ve got some to spend on good stuff, we get a better appreciation when items are real, artwork bigger. We will never buy mp3.

May 312010

A special little treat for all you waveriders.

All-star rock super group Terrible Things featuring Fred Mascherino (Taking Back Sunday), Josh Eppard (Coheed & Cambria), and Andy Jackson (Hot Rod Circuit) have just released their debut single “Revolution” yesterday via iTunes & ShockHound, and they’ve asked the Ripple to make the song available in full-stream on our site.  Always being a fan of free, legal music, we couldn’t resist.

The full-length debut is due out late summer on Universal Motown. The album’s concept is about the arson that ravaged Fred’s hometown of Coatesville, PA.  So if you like what you hear, go out and support the band.


May 312010

Athens, Ohio’s blackened thrash masters, SKELETONWITCH have a busy summer lined up, as they’ve been tapped for Ozzfest, as well as a Canadian tour with HIGH ON FIRE. The band will be appearing on the second stage at Ozzfest along with former tour partners GOATWHORE and SAVIOURS and other acts including DEVILDRIVER, BLACK LABEL SOCIETY and  KINGDOM OF SORROW. The band is currently several weeks into a tour with CANNIBAL CORPSE, which made a stop at the annual New England Metal and Hardcore Fest in Worcester, MA. That tour wraps up on the 15th in Tampa, FL.

The band’s upcoming dates are as follows:

5/11        Emo’s- Austin TX $
5/12        Meridian- Houston, TX $
5/13        House of Blues- New Orleans, LA $
5/14        Freebird Live- Jackson, FL $
5/15        State Theater- Tampa, FL $
7/8          Rickshaw Theatre- Vancouver, BC %
7/9          Pogue Mahone- Kamloops, BC (SKELETONWITCH Only)
7/10        Starlite Room- Edmonton, AB %
7/11        The Republik- Calgary, ALB %
7/13        Royal Albert Arms- Winnipeg, MB %
7/14        Crocks- Thunder Bay, ON  (w/ High On Fire)
7/16        Opera House- Toronto, ON *
7/17        London Music Hall- London, ON *
7/18        The Blind Dog- Windsor, ON *
7/20        The Casbah- Hamilton, ON *
7/21        Time To Laugh- Kingston, ON *
7/22        Le Cercle- Quebec City, QC
7/23        Capital Music Hall- Ottawa, ON *
7/25       Mohawk Place- Buffalo, NY (SKELETONWITCH Only)
8/14        San Manuel Amphitheatre- Devore, CA #
8/17        First Midwest Bank Amphitheatre- Tinley Park, CA #
8/19        First Niagara Pavilion- Burgettstown, PA #
8/21        Comcast Theatre- Hartford, CT #
8/22        Susquehanna Bank Center- Camden, NJ #
8/24        Comcast Center- Mansfield, MA #

$   w/ Cannibal Corpse, Lecherous Nocturne
# OZZFEST 2010
% w/ High on Fire, Russian Circles
*   w/ High on Fire, Priestess

SKELETONWITCH are supporting “Breathing the Fire” which was recorded in Seattle, WA with legendary producer, Jack Endino (Nirvana, High On Fire, Soundgarden). The album was released by PROSTHETIC RECORDS on October 13, 2009 and debuted at number 151 on the Billboard Top 200 Chart and number 2 on the magazine’s “Heatseekers’ Chart.”


May 312010

Hailing from past and current projects such as The Pacific, The Beautiful and Damned and Ellie Sky…..Joseph Taylor, Robert Pierret, Tim Galvin and Michael Monosky formed in 2009 and began writing tracks for what has now become Cannoneers of the New Command.

The band just released their debut 7″ and will be rockin’ the loft tonight @ 7pm

“Their uncoming 7 inch single Sadie was a Girl / Shake the Law is good old fashioned garage band rock n’ roll, the like of which is all too rare these days. Sadie introduces herself in style with a guitar riff straight off a lost Primal Scream song. It is simple, joyous and authentic rock music. These four boys don’t stretch themselves much but no one expects (or really wants) them to. The classic drum beat and vocal mid section is ensured to be a live highlight, I can almost hear the synchronized handclaps now.” – Music Review Unsigned

Also got a good lot of new and old today…
New Adds
Cast Spells – Bright Works And Baton
First Aid Kit – The Big Black and The Blue (Free 7” with Purchase)
Jamie Lidell – Compass
Kingdom – Mindreader 10″
Kings Go Forth – The Outsiders are Back
Lovvers – Strangers 7″
Pure Ecstasy – Voices 7″
Simian Mobile Disco – Temporary Pleasure
The Budos Band – S/T
The Hundred In The Hands – This Desert EP
The Stooges – The Electric Circus
V/A – Jahtarian Dubbers Vol. 2

Restocks
Babe Rainbow – Shaved EP
Bell Gardens – Hangups Need Company EP
Bonobo – Black Sands
Elliott Smith – From a Basement on the Hill (Reissue)
Elliott Smith – New Moon (Reissue)
Elliott Smith – Roman Candle (Reissue)
Future Islands – In Evening Air
Grizzly Bear – Veckatimest
Midlake – The Courage of Others
Simian Mobile Disco – Attack Decay Sustain Release
The Black Keys – The Big Come Up
The Locust – Peel Sessions
The Terror Pigeon Dance Revolt! – I Love You! I Love You!… Have and Awesome Day! Have the Best Day of Your Life!
V/A – Brazil Classics at 20
V/A – Pebbles, Vol. 1


May 312010

Team Alizée from Une Enfant Du Siecle


May 312010

I want to be part of the Alizée PR team.
Pick me, Pick me…who do I need to persuade? Alizée, JR…who
Put me in coach I’m ready….

I say this because I would like to have “A” source for upcoming events, information….I think it would be appropriate for it to come from some “official” source.

There is no real “go to ” source to rely on for all appearances. * That would be nice! In lieu of jumping all over the place looking for tid bits of information. The same for all official article releases could be released through this source.

I always considered Le Nid as a third party source. Don’t get me wrong…The Best third party source. But should I start to consider it a quasi official source??? Le Nid seems to be the source for “most” but not all information releases lately. Why is that? And not the Alizée Tumblr, Myspace, Facebook, official website….
That is why I say should I consider Le Nid quasi official?

If a tour is planned Tumblr would be great for updates just as Phoenix uses it as a diary.

By the way this FHM #2 rating can’t hurt if a tour is planned…what great timing, MY GOODNESS SOUL SISTER YOU WERE BORN UNDER A LUCKY STAR. Seriously, I don’t play the lottery but if you published a number to play I would run, not walk, to play that number.

But I still really really want to know what is going on…for instance


Tuesday June 1 – EVENT
MICHEL Serrawollies, fisherman
and singer ALIZEE for
“I PESCADOR IN FESTA”
at St. Erasmus
fishermen’s festival,
from June 2 to 5 knew the port
Tino Rossi Ajaccio.

Would be cool to have that “easily found”

Alizée, JR, whom ever…really, I am just talking about some small online efforts. If you do not want this information to be found…well that is a different story and I can honor that. You know that movie “What woman want” well, “What Alizée fans want” that’s me…you have my email…will work for lottery numbers… :)


May 312010

Alizee, French FHM as the sexiest

Classement FHM 2010

Readers around the world already know this…all I have to say is…

WAKE UP AMERICA!!!


May 312010

8:00 PM; $5 – $15 sliding scale suggested donation at the door.

Seattle composer/pianist Keith Eisenbrey will perform from his own compositions, as well as exciting new works by local composers Richard Johnson, Brian Cobb, and Sean Osborn. The thematic focus of the recital will be performances of Liebeslied (Amended), Keith’s 2006 completion of Benjamin Boretz’s intriguingly unfinished Liebeslied (1974), together with two large scale works that branch directly from it: Boretz’s 1976 (“…my chart shines high where the blue milks upset…”), and the pianist’s 2010 Sonata Liebeslied.

Keith Eisenbrey brings to his pianism a composer’s imaginative musical understanding, and to his composition a mysterious and majestical whimsy. Cerebral and sensuous, remorselessly speculative, his music seeks to illuminate those most intimate of our personal spaces: the silences across which, in which, and out from which music, thought, and utterance unfold. His works include solo pieces for various keyboards, songs, and chamber works. He is a co-founder of Banned Rehearsal, an ongoing argument in creative musical expression, which will soon celebrate its twenty-sixth anniversary.


May 312010

8:00 PM; $5 suggested donation at the door.

Curtis Taylor is a filmmaker and theater artist. In Seattle he founded a storefront performance venue named Vodvil. Under that auspice he created original folk operas. More recently he uses film to consider themes of art, life and time. Tonight he presents a brief variety show in the form of a séance. Redd Foxx and Andrei Tarkovsky will both be summoned forth by a concealed medium. Mr. Taylor will screen two short music films, Church Weather and Bachianas No. 5. There will also be an excerpted stage reading from A White White Day, a work-in-progress being created by Mr. Taylor for his 2011 residency at New City Theater in Seattle. The musical guest for the evening will be the folk-grass duo The Gloria Darlings.


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