PLEASE HELP – VISIT S*P*O*N*S*O*R*S

ONLY TAKES A C*L*I*C*K TO HELP

Jul 122010

Do you jazzers use flat wound string and if yes why do you use them.
thanks


Feb 282010

I am looking to buy a 5 string bass for cheap. I am looking at the Squier Affinity Jazz Bass V. But I am hoping to get one with a high C string as apposed to a low B. Which does the Squier have?


Feb 112010

I’m looking towards like John Pattitucci type kind of feel for my bass. I think a lighter tension string would be more ideal for me, but i dont know any brands or anything like that for upright strings


Jan 262010

I received a classical guitar from a friend, and knowing nothing about guitars, I went to the store and bought some acoustic guitar strings. I bought them because I didn’t know that there was a difference. I strung them on, and tuned them, but now I’m realizing I was probably supposed to buy nylon strings.
My question to you is, can I use these strings and not wreck the guitar? It sounds fine enough, and I’m just beginning so it doesn’t have to be perfect. Thanks!

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Jan 202010

Zahra has a piece of metal and a piece of string. Describe how she can tell if the metal is a magnet using the string.


Jan 132010

I remember watching an excellent video of Jimi Hendrix playing a blues song on a 12-string acoustic guitar. Can anyone link me to the video? I need this for a report I’m doing on Jimi Hendrix.


Jan 062010

I have a yamaha classical guitar. I play many gigs with it, so I invested in an ‘under the saddle’ Fischman pick-up. It does me fine, but I’d like more control and more ‘give’ I guess.
I heard of Acoustic Pre Amps, that act like a D.I., can anyone suggest these? Are they worth it?
Thanks


Jan 052010

I have a yamaha classical guitar. I play many gigs with it, so I invested in an ‘under the saddle’ Fischman pick-up. It does me fine, but I’d like more control and more ‘give’ I guess.
I heard of Acoustic Pre Amps, that act like a D.I., can anyone suggest these? Are they worth it?
Thanks


Dec 052009

I have been told that they are detrimental to each other by some classical teachers but been told by bass teachers that they both improve each other.



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